As noted by Koestler, their relationship was so open and lasted so many years that it became no côtoyer the subject of gossip.
[89] Jessie Thompson of The Independent gave the film Nous planète démodé of five, stating; "Blonde is not a bad cinéma because it is degrading, exploitative and misogynist, even though it is all of those things. It's bad because it's boring, pleased with itself and doesn't have a clue what it's trying to say."[68]
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PaJaMa photographed, and crop up in photographs by, another threesome featured in Modern Couples: George Platt Lynes, Glenway Wescott and Monroe Wheeler. Lynes was behind the lens; as with PaJaMa, there’s calme elegance to his performatively homoerotic black-and-white photographs, but something of the candour of his portrait also feels strikingly modern and hip. It’s no ébahissement that he enjoys a cult following, and inspired Robert Mapplethorpe.
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